Tag Archive | "melody"

Learn How To Make Your Guitar Solos Legendary


guitar-solo

For every guitarist there is a solo that is totally theirs. It is that one solo that reaches into their soul. That singular solo that actually turns the world into a better place. It is that one and only legendary solo.

For me personally, that solo is Comfortably Numb, done by Pink Floyd. When I am listening to David as he dives headfirst into that most flawless, melodic solo, my day becomes more beautiful in an instant.

I am tremendously moved by the power, and tone, and the meticulous phrasing. Do you ever wonder how David, and a multitude of other great rock guitarists, composes what becomes their legendary solo? Let’s examine a few of the finest guitar solos ever known and find the secret you can start to use to create your own solo today.

Step 1 – Tempo is a lot more essential than you know!

Back when I was one of those “wet behind the ears” kids, I remember all I wanted was to play fast. My thought process to this was when I could just play it faster than everybody else, then I BE better than the rest of them.

What I’ve discovered is how absolutely untrue that attitude was.

Now I’ve realized there’s just one thing in my mind when I’m playing – how diminutive can I really play.

They say that music is the very language of life, and to honestly live your life as a musician, you’ll have to know how to really listen.

Stop and consider this – exactly what is it that makes a conversation “good?” Is it the person who is talking non-stop, or the one who sits quietly and just listens?

That’s why you’ll want to sit back in that moment, get into that groove. Allow the music to breathe into you, then start your solo. Begin by play a couple of notes, then take a break. What do you hear the music saying back to you? Then you can respond with a couple more of the notes. Then once again, rest.

Yes, I’m aware how kooky this sounds, but I promise you it’s the secret to achieving greatness. Remember, the ability to pay 300 notes a beat, and never repeating the same lick, just tells me you are really fast, but it doesn’t mean you are great. For an example, if you’re in a relationship, would you prefer to be known as great or fast? Ah, never mind, we’ll just move on from that one.

So how do you go about adding space, and making your solos be so remarkable?

Step 2- When you realize what helps catch the largest fish, you realize how important hooks really are.

Without the audience (fish) a musician is really nothing, so the larger your audience will mean the larger the musician. It comes down to your writing hooks (sizes) in your phrases are the true keys to having a large audience.

For that reason it’s vitally important that you make the effort of learning the melody of any song you plan to play. That’s how Jimi Hendrix did it. Because he was able to play each of the notes he was singing, there was an element to his music that other performers just couldn’t accomplish.

For the majority of guitarists they just want to know what key they are to play in so they are able to pull some recycled licks from their bag.

Remember, you need to learn those melodies first thing. Once you do that you are able to use your knowledge or licks to continue expanding on a melody, plus it provides you with that base to do your solo around. By being willing to stick with that melody, and create those hooks, people will remember you.

Step 3 – Tone, Tone, Tone, AND Tone!

You need to put the time in to craft your tone. Distortion will definitely kill the mood! This is one thing that seems to have been lost over time. If you look back over a list of the all-time best solos you’ll find even the giant of hard rock, Lynyrd Skynyrd, played clean tones. A lot of people mistake the emotion of their music as distortion.

These people played with such raw intensity, a pure passion and power, and that’s what put them on many lists as one of the greatest rock bands ever.

When you are concentrating on creating great music, not just a great solo, you want to play with everything you’ve got. Just make sure to use those hooks, melodies, and spaces when crafting your solo, and in the process you’ll end up composing music that will be remembered forever.

Please feel free to take a moment and add your favorite solos, or any other personal tricks or tips you know in the comment section below.

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Learn Guitar Improvisation By Faking


Peter Edvinsson asked:

A fake book can really help you a lot in developing your improvisational skills. If you choose just one of the songs you will find a source to many exercises that will help you become a much better guitarist.

Do you know what a fake book is?

A fake book is made in a very compact format containing a lot of songs. This is possible because you will usually only find the melody of a song and the chords of a song.

The melody is written out with sheet music notation and maybe guitar tablature and if it is a song you can find the lyrics beneath the melody. The chords to play you will find above the notes.
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Because this is a compact way of writing down songs a fake book can contain more than 500 songs.

This very rudimentary way to write down the songs gives you as a guitarist an opportunity to use your own musical taste when you interpret the songs.

The songs will usually only contain very basic chord progressions. When you hear these songs played the songs are often spiced up with more interesting chords. Often there are also more chords used which will make the chord progressions more interesting and exciting musically.

The act of trying to find more chords to use in a song and to spice up existing chords is an excellent exercise in chord theory. As you are working with a song you are interested in and also will use the exercise in you actual guitar playing you will be more motivated to do a good job.

You can now practice the new chords in the song. Concentrate on one chord at a time. There are many ways to practice a chord by for example playing the chord in various positions and with different voicings.

You can now take the chord practice a step further by using your new chord progressions in the song and practice changing chords. Take a few bars of the song and practice to play the progressions on your guitar as you vary the chord voicings.

When you have decided which chords you will use in a song you can use these chords to find suitable scales to use in your guitar improvisation. You can find many scale books on the net with suggestions on which scale to use for various chord progressions.

We will use the first chord of the song you are working on to show how you can find out which scale to use. If your first chord is a C-major chord you can choose between for example a C-major scale or a C-major pentatonic scale. The principle is to find a scale that contains the notes in the chord.

Now it is time to actually practice playing the scales on your guitar. Start with the first chord in the song and continue the same way with the other chords. First, strum the chord on your guitar and practice playing the suitable scale up and down in various positions and patterns.

Actually it is very common that you can use the same scale to many chords in a song. For example, the C-major scale will work together with the chords C-major, G7, Dm, Am and so on.

Now when you have mastered playing the suitable scales to the chords you can start to work on improving your improvisational skills by taking the previous method a little bit further. Strum a chord and use the scale you have chosen to create your own patterns, melodies and licks.

You are now prepared to improvise over the chord progressions you have written down using the scales you have chosen. The exciting part is when you come to a bar with a new scale to use. If you find it hard to change scale during your improvisation it might be a good idea to concentrate working on this skill for a while.

That means, use two scales and try to alternate between them as you continue to improvise maybe a couple of bars over each scale.

You can use a song in many other ways developing your skills in guitar improvisation. This should of course be a positive exercise leading you towards the goal to be able to play the song from start to end with melody and improvisation as you would like to play it in public.

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